Karen Palmer Brush Prarie WA Laurie Parker Blachly OR Leslie Patterson Oregon City OR Deanna Peters Vancouver WA Judy Popky Seattle WA
Please take time to reach out and connect…even if you don’t live in the same area. The wonders of technology brings us all just a few clicks away. Members can find contact info for these folks and other members if you log-in to pnwglassguild.org and go to “For Members” (which only appears when logged-in) and choose Member Contacts List.
Do you remember receiving this email regarding our survey on November 3rd, 2022 at 7:59 am from PNW Glass Guild?
(There’s a big “Take Survey” button in the email that we want you to click on)
If you opened it intending to go back and complete it, now is the perfect time to do that.
If you accidentally deleted it or can’t find it, and wish to help set the course for the Guild over the next year, please contact Terry and he will send you another link.
On behalf of the Board of Directors we thank those who complete the survey and appreciate your time and input.
A summary report of responses will be presented at the Board of Directors zoom meeting December 12…so members, please plan on attending.
Geoffrey Bowton is creating metaphorical glass relics, developed from within the memories of deployment and objects related to the longstanding war in the Middle East—experiences may be reclaimed through the story telling realism of Pate de Verre, understanding post-traumatic stress and the unknown. Is processing trauma connected visually with a gunshot wound, or a painful scar that reminds you of hardship or injury? Is it the red-hot barrel from gunfire, remembering the back-and-forth exchange … were you or those around you affected by an Improvised Explosive Device … can you recall the things you did … has life changed for you? “Sykes Regulars” … soldiers of the 5/20th Battalion, a group of resolute infantry personnel who deployed and fought throughout the longstanding wars in the Middle East. This work reflects the selfless service and sacrifice of those who answered the call to duty after 911, defending our liberties and freedoms for the United States.
Over the recent years, Pate de Verre and this work became a rally point in the art and veteran communities; used in social platforms discussing historical events, meanwhile, generating conversation about the significance of healing post military service. I view this work and the glass objects used as metaphorical vessels, transforming the experience of the individual in theater, and exposing the realities of combat. To reclaim oneself using art as a therapy. I decided to arrange the soldiers gear as a Contemporary War Memorial, merging ideas from traditional military installation, with the realism of Pate de Verre casting. This work is constructed by hand building multiple layers of glass powders and small, tiny shards of which compose a thin hollowed object. Each surface has considerations made to portray wartime experiences of the 5/20th soldier.
I started working with glass during a 2016 summer studies program in Lybster, Scotland, at Northlands Creative Glass. What I discovered … a material capable of transforming within its environment, adapting, moving, shifting, bonding shards of themselves together … like the human spirit on the frontlines, amid a bloody gun fight. Glass was becoming a place where I could understand more about my feelings, while watching the material in transformation … I reconnected to parts of my life that needed healing, as if I were the glass and the heat was the medication I needed. Pate de Verre helps me survive through the processing of my memories and feelings, compiling stories of post traumatic events, mine, and others. This is a medium capable of lending its transforming qualities, deploying within the forms and the stories created—hollow vessels carefully arranged with layers of powders and small, tiny shards. My earlier union career as a sheet metal worker and six-year stint with the US army infantry helped develop my artistic backbone, while simultaneously destroying the very life of it.
This redirected me into an altered state of employment … so, I decided to set up new creative working skills, attending an undergraduate art program, earning a Bachelor of Fine Arts, using the post 911 G I Bill.After spending time at North Lands, I then established myself as a glass class student locally and abroad, taking part in over twenty-five studio classes, and or artist led class residencies. I work at my own glass/metal studio (approx. 2200 sq ft), found in Hillsboro, Oregon. Currently, I am working on the final pieces for an installation this upcoming November, Veterans Day month.
New works available for purchase: located https://www.bacart.org/ in Bainbridge, Washington. Opening reception, Friday, November 4th from 6-8pm. Please come join me in honoring those who served and sacrificed, upholding the liberty & freedoms we all depend on. Heroes’ living among us … people you may never have met, nor seen Veterans Day 2022.
Upcoming – during June 2023 (online) and during the month of National PTSD Awareness & the 2023 GAS conference in Detroit, I will be showing my work for the International competition … Not Grandma’s Glass https://www.habatat.com/ – a yearlong event. New works will be available for purchase.
This December you’ll have at least 3 opportunities to gather with your glass buddies and meet new ones. These are primarily for PNW Glass Guild members but family and friends interested in glass are also welcome. Click the links below for more details:
PLEASE contact the host if you plan to come and also if your plans change, even at the last minute. Having this sort of event go smoothly depends on having a pretty accurate head count in advance.
About this time last year several of us did a fun glass block project out at Marvelous Mosaic. The glass blocks are often on sale at the craft stores this time of year and it is a very fun, affordable and unintimidating project. You can use applique or mosaic processes…gluing your glass pieces to the glass block, then grouting between the pieces. You can use a combination of opal and transparent glass but the blocks are really great to use with lights inside so it makes sense to have enough transparent pieces of glass to transmit light and see your colors well. I left part of my block clear…filled it with tissue and holographic strips and then added tiny multi-colored lights. There is an opening on one side of the block so it is easy to add the lights. (You can aim that opening in any direction. I have mine on the bottom here.)
If you are worried about someone handling the side of the block with the nipped glass edges exposed. An easy solution is to add a row of large fused dots or strips (which is also decorative) around the outside of your design so there are no exposed sharp edges. These glass blocks work well with designs that are appropriate year round too…they don’t have to be just for a specific holiday. A great project for a glass “play day”. Have fun! –Greta Schneider
Here’s a repeat of last years list if you are looking for more ideas:
Thanks so much to everyone who participated in our glass contest! We wish a few more of you had found time to but we got some beautiful pieces of glasswork. We did not have enough entries to have winners for each topic so the votes were counted just for the overall contest.
Carylne Lynchwon for her lovely fused glass sunflower so she will get a free membership to the glass guild for this coming year.
Congratulations Carlyne!
We’ve shown the entries here again with the names of the artists attached so you can see who did each piece. It was all really beautiful work and it is fun to see different ways the same subject can be handled in different glass methods. A contest or a challenge is a great way to push yourself as an artist and stretch your creativity and imagination. It is also a fun way to interact more with your fellow glass artists.
(see the original contest photos that inspired these pieces in the previous newsletter article )
Sunflower by Carlyne Lynch
Sunflower by Athena Hornsby
Rabbit by Greta Schneider (Newsletter team member, not competing)
Sunflower by Jennifer HartSunflower by Lesley Kelly
We would love to have suggestions from our members on other subjects for future contests or challenges, something that would work for all the various types of glass techniques used by our membership. One interesting suggestion we have had is to do pieces where blue is the predominant color!
Moody Meadows by Rae Williamson (Newsletter team member, not competing)
Sunset Ferry Ride: this is Olympics and other side is Seattle skyline, by Karen Seymour (Newsletter team member, not competing)
We’re pausing our member benefits series to cover the website in detail so you know better know how to use this tool to further your glass experience.
When you go to PNWGlassGuild.org and choose “News and Events” from the top menu you’ll see this drop-down:
I) Public News is the record of the Tuesday emails sent to the whole mailing list, both members and those who choose to subscribe to the Public emails when they subscribe to the newsletter.
If you can’t find that email you got last Tuesday about an art show or meeting or something, look here.
2) the Newsletter is the current issue. You’re probably reading it right now. On a large screen you can get the current issue from the top of the right hand column of most pages but getting it from the top menu is probably easier for those on a cell phone.
In the right-hand column there’s an index to articles by date and type. If you want to read all the Member benefits at once or look through the featured artists, here’s the place to click.
3) Events Calendar
Upcoming events are also listed on the bottom of most pages with a “view Calendar” to get to the calendar page you see here. The top of this page tells you what the color codes on the listings mean
The right side bar allows you to sort for specific event types in both past and future.
One of the member benefits is to add your events to the Guild Calendar: log in, go to About>Contact us, click the Submit Your Event tab and fill out the form (if you don’t see the form you are not logged-in). A volunteer will add the event within a few days.
Tip: if you log-in first whenever you go to the website, you’ll be able to see more.
If you are not yet a member and therefore can’t Login we encourage you to join by pushing “Join” from the menu so you can take advantage of the many benefits (your dues help us pay for the software that runs the website).
Zoom to the Board meeting December 12that 7pm to hear about the survey results and the 2023 budget. Help plan next year.
Be sure to respond to the Surveyby Friday, Nov 18th as this will help guide our plans for next year.
January 9 is the first Board meeting of the new year at which we will discuss General Meeting topics and the Gathering of the Guilds for 2023 among other things. See the event link on the calendar for further details
Board meeting minutes are now posted forlogged-inmembers to read under For Members>Guild Documents.
You’re part of the team: Please send in photos of your glass events so we have something for the next newsletter! Think about what you can to to help build the glass community: host a Play Day yourself. Zoom to the General meetings. Attend member’s shows to encourage them in their work. Put your events on the Guild Calendar.
OCTOBER: Thank you to Rene Westbrook of Westbrook Photography and Jim Dittmer of JDA Creative Color for speaking at the October general meeting and sharing their expertise on photography. Rene talked about lighting and also the benefits of using cameras as opposed to phones. Jim talked about his experience working with photographing frit and sheet glass for a glass company and about using polarizing lenses or polarized sheets to get rid of most of the reflections that make photographing glass so challenging sometimes.
NOVEMBER: Kathie Wise spoke about using fusions (fused glass parts and pieces) in mosaics. Janiene Fitzpatrick talked about making holiday ornaments with high temp wire hangers and she also discussed some of the various glues she uses and why. Karen Seymour shared her instructions on how to do free standing Christmas trees made from two fired parts plus how to create her sparkly hanging icicle ornaments. And Rachel Dollar talked about using wood rounds as bases for ornaments and other designs plus ways to attach the wiring. Several other members shared their thoughts on various ways to do things in both meetings. Thanks so much to all who participated and shared ideas!
Having a photo makes it so much easier to invite people to participate in an event next year. If you are part of or go to a glass event please take some photos and send the best 2 to the marketing team (400 to 600 px or “medium” resolution, about 500 KB, not more than 1MB).
General meetings in 2023
Zoom on the 4th Sunday of most months at 3:30pm. General Meetings topics for the year will be discussed during the January 9th Board meeting. Contact Rachel Dollar, our VP, if you have suggestions for future topics. You don’t need to be a member to attend our General Meetings but we would love to have you join.
Winter events (logged in members can submit their events here):
Thank you to the entire Pacific Northwest Glass Guild for allowing AAE Glass to be a small part! I know several members have worked with Tanya Veit and AAE Glass in the past and we always appreciate your support. We are currently offering your members a Coupon Code for the year. [Log-in to PNWGlassGuild.org and choose About>Our sponsors to see more details].
If you haven’t heard of AAE Glass or Tanya Veit, we are on online, fused glass education center, distributor, wholesaler, and retailer. Tanya Veit is an online educator, pioneer in the industry and has had a hand in shaping the way most online glass education is consumed these days. Tanya’s original tutorials became so popular, that in 2016 she decided to change the focus of AAE Glass from in-person teaching to producing her own online, educational video tutorials for the newly born AAE Glass Education Centre. Tanya has been focused on producing video content ever since.
My name is Mark Veit, Tanya’s brother-in-law. We have been working together for the past 12 years. You may have also seen Michelle Glass on social media, she is Tanya’s sister and part of the AAE Glass family. John Veit, Tanya’s husband, my brother, and Michell’s brother-in-law is someone you may have met at the Florida studio or spoken to on the phone or over email. This is true family business. Tanya is a self-taught artist who started out using other mediums before finally being drawn into fused glass. She is artistic by nature and grew up surrounded by art in various forms. She began selling finished pieces at shows, galleries, on eBay, Etsy, Artfire, etc. and branched out into selling supplies which is how AAE Glass began. Once she introduced her decals, not only did her glass jewelry sales rise, but it opened the door to producing decals for other artists who saw the same appeal. First it was decals, then silver settings, then chains, bails, and other supplies, then a Bullseye Glass Kiln Glass Resource Centre, then the release of the AAE Glass Education Centre and next will be the biggest thing Tanya has ever done. It is the release of a brand new, online, interactive learning platform unlike anything in the industry. Months in the making, we are almost at the finish line and by the time this article is released, we will just about be there, so stay tuned for AAE Glass updates.
Artwork by Tanya Veit Artwork by Tanya Viet
In addition to offering online education, Tanya has created several products that are only available at AAE Glass. Simple Screens were developed to make screen printing on fused glass more accessible for glass artists around the world. Designing and creating these screens is an involved process that AAE Glass does for you. Tanya’s waterslide decals are another example of these products. They fire true in shape and color. Tanya works directly with Howard Sandberg of CBS Dichroic Glass to create custom dichroic glass colors, patterns and shapes built around her favorite colors and techniques. Big Mouth paints are another product Tanya has brought in. The consistency of these paints allows Tanya to create the look she wanted. She doesn’t just release products to the industry though, she offers several video tutorials showing how to use the products as well as some projects that can be made with them. We know firsthand testing can get expensive. Tanya does her best to save you as much time and money as possible by showing you step-by-step instructions.
The biggest news to come out of AAE Glass in years is that Tanya has created a new subscription platform and learning experience that has not been seen in our industry. Here is a sneak peek into just a few of the perks included in your membership.
There is so much more that I can’t list now, but as you can see, Tanya is making herself more available to anyone who wants to learn and grow right beside her. It’s important to Tanya to reach as many glass artists as possible around the world and this platform will do that. The work and time put into this project is unlike anything we have done, but the results are going to be amazing and we want to share them with you. If you have any questions or have ideas of topics your would to discuss when we are up and running, please email them to info@aaeglass.com and we will do our best to implement them. This platform is going to grow and evolve as we settle in, so this as much your project as ours.
• Your membership includes LIVE monthly Q & A sessions with Tanya on specific glass topics such as marketing, organizing your space, tutorials, troubleshooting and more.
• Your membership includes monthly inspirational video tutorials from Tanya Veit. A great way to help break open your creative process.
• Your membership included immediate access to several fundamental glass fusing videos on topics like: cold working, cutting basics, tool demos and demonstrations of new products in the industry. New content added monthly.
• Your membership includes an exclusive community where you can comment, share photos, have private discussions with your peers or ask Tanya questions without the “noise” of social media.
• Your membership includes a color palette library created by Tanya using Bullseye glass swatches for inspiration when creating your own projects. New palettes are added frequently.
We recently made two very important business decisions that have our customer’s best interest in mind. AAE Glass is NOT raising our Bullseye Glass prices with the rest of the industry. We feel this is an area we can help current artists beat the inflation that seems to be everywhere. The second thing we were able to do is lower our shipping costs by an average of 15% across the board. Yes, we still offer Free Shipping to qualified retail orders over $200, but these new saving will affect all orders, including wholesale customers. Ordering Bullseye Glass from AAE Glass just got more affordable. We hope by continuing to work for you, that you will AAE Glass your supplier. Don’t forget to use your Guild coupon code when ordering supplies.
These companies and organizations are an integral part of the glass art community. We thank our Sponsors for supporting our Guild through either generous donations or by offering discounts to our Members. Please take time to thank them for their generosity when you visit their businesses.
Gold Level Sponsors
Silver Level Sponsors
Colour de Verre – Artifex Toolworks – Glass Alchemy – D&L Art Glass – HIS Glass Works – Bonny Doon
After moving to Portland in the mid 80’s and working in the food industry until 1997, I began a second career in commission architectural glass in 2000 at the encouragement of an interior designer. I had never worked with glass, so after 3 years of classes and hundreds of samples and experiments, I began manufacturing glass tile, vessel sinks, and lighting for several designers.
The recession of 2008-2011 and the recent pandemic were difficult times for most all of us in the arts, but we persisted. I assembled an incredible team over the 20 years, including a waterjet engineer, metal artist, lighting engineer, sand-carver and glass polisher. We are all local independent artisans, and it has been the most enjoyable part of architectural glass work. During these two decades I was also creating Navajo-style tapestry works of art. These two art forms were worlds apart from one another until recently when, for the first time, my love for glass and my passion for fiber art were intertwined.
At a Pilchuck Glass School residency, I was given permission to breath, reflect, fail, and observe. It was the greatest artistic gift even given to me, and it changed my life immeasurable. From that opportunity came clarity, and slowly I have woven a tale that encompasses my desire to speak to social justice issues through mixed media visual arts.The series ‘Universal Vessels’ materialized as I imagined merging fiber and glass to represent the bringing together of dissimilar cultures. The baskets and vessels of the series are created with kilnformed glass for the structures’ bases and spokes, while the weft binds the glass spokes with fiber including reed, yarn, beads, and wire.
I have developed three basketry techniques over the past 2 years – each more technical, yet more representative of indigenous works. Initially, the baskets and vessels created in 2020 examined the technology and materials needed to combine the two media. In a multi-step process, a flat glass disk is fused into a round or oval shape. Waterjet-cutting creates the vessel spokes; the number, diameter and length of each spoke is determined by the weaving pattern chosen for the weft. A final firing follows allowing the disk to slump into the shape of the ceramic or stainless-steel mold. Ex. Oregon Bounty. Having made only a few baskets prior to this new body of work, learning traditional basket weaving techniques has been an exhilarating undertaking. Adapting these materials and processes to bring out my contemporary style was freeing and invigorating.
In the next generation of vessels, I focused on achieving a more traditional basket shape – one with a smaller rim diameter than vessel body. New molds and cutting techniques were developed for the glass, while utilizing traditional basketry weft. An example of this technique is from 2021 All are Welcome.
My 2022 series titled Native Grasses is an adaptation of the traditional coiled grass baskets. To represent the grass, I have chosen stringer, which are bundled and shaped in a kiln-forming technique. Waxed linen is used to twine the grass-like bundles of glass together. I very much enjoy the comradery, inspiration, and energy of our PNWGG and hope our guild remains an ever-strong group of visual artists.
As a native Northwesterner I’ve been exposed to all manner of sea life. This influenced my signature series of “Shilshole Seashells from the Salish Sea” – fanciful marine shapes of both bright and subtle colors. No two are exactly alike. These shells are time-consuming and difficult to make, requiring a team of two or five highly trained people. The body part of the shell is blown first, in the off-hand style, with five or more layers of colored and clear glass added, then cut open while hot, and sculpted into shape. It is then embellished with additional bits of hot, worked glass.
All my life I have been into “Show and Tell” and being a thing-maker. I invented a widely used deadman switch to control the torches used by blowers and lampworkers and sell them on my website. I will have them at my studio on the Glass And Decor studio tour in Seattle October 15-16 if you do torchwork and want to try one http://www.friedmanglassworks.com/homepage/tools
I have done lots of Street Fairs, Art Galleries, Museums, Public Exhibitions – State and International Festivals, showing and telling visitors about glass. In 2009 the “Shilshole Seashell Museum” (An Ersatz Art Installation for the truly curious and the magpie in all of us) was opened to the public and a Museum Catalog was printed. It has been updated with additional items and continuing stories of the seashells and their travels. If you buy one of the “exhibit cases” you get a free copy. This new version of the Seashell museum will be at the Blowing Sands studio and gallery in Seattle throughout October and November.
Because of health issues, I’m not currently blowing glass but I have a large inventory. You can see me at my studio on the Glass And Decor studio tour in Seattle October 15-16 (# 5 on tour map), and the Seashell museum at Blowing Sands (site #4).
1) 315 West B Street, Rainier, OR Rachel Dollar (Marvelous Mosaic Fine Arts) Guests:Terry Thomas, Lori LaRue, Theresa Videan Ask about alternative to stairs. Open Friday too! We will have vitrigraph pulls at 1 PM each day.
2) 866 N. Columbia Blvd. # B202, Portland OR Evan Burnette‘s Studio, Come see LIVE glass blowing demos throughout the event!
3) 5529 N. Vancouver Ave, Portland OR Sondra Radcliffe‘s Studio, We have a few steps down to basement or up to the porch.
4) 821 NE 63rd Ave., Portland OR Richard Glenn‘s Studio,
5) 4331 SE Brooklyn St., Portland OR Barbara Kienle‘s Studio Guest:Stephanie Johnston We hope to have some projects for people to try.
6) 8400 SW Maverick Terrace, Beaverton OR Linda Gerrard’sStudio Guest: Sharon Dunham Linda will have the studio open and give some step by step explanations of her glass techniques.
8) 6890 Molalla Bend Rd., Wilsonville OR Carlyne Lynch‘s Studio Guests:Rose McBride, Greta Schneider There will be a live vitrigraph pull on each day, story boards and talks to show how things are done and probably some small projects for our customers to do.
9) 4970 Bonnet Dr., West Linn OR Mitzi Kugler‘s Studio
Tour Seattle Oct. 15-16:
The Guild is sponsoring the 8th annual GlassAndDecor.comStudio Tour and Sale which focuses on items for the home. Over 20 artists in glass and other media show their work at 6 close together studios in north Seattle.
There will be PNW Glass Guild members at almost every site:
I hope summer 2022 has been a good one for everyone, it has gone by too quickly for me. Be sure to check out the creative work that Guild members have submitted for the Summer 2022 contest [link] and vote for your favorite. While you are checking out the masterpieces be sure to visit the pictures from our Seattle and Portland area picnics.
Plan to attend the PNWGG Annual Meeting on October 23rd where you will have the opportunity to shape the future of the Pacific Northwest Glass Guild by voting for next year’s board of directors. Stay around after the general election to learn more about photographing your art pieces from our guest speakers.
Terry Thomas, President PNWGG
Speaking of meetings, our August board meeting had an overview of the Guild’s financial status and a preview of plans for calendar year 2023. Join us for theSeptember board meeting on the 12th for a presentation of our 2023 budget. Wishing everyone a good Fall season.
“It is only when we are no longer fearful that we begin to create.”― J. M. W. Turner
Help guide the PNW glass into the post-Covid normal. We’ll be electing officers at the October 23rd meeting. See what they do. Please contact the nominating committee if you’re interested in helping assure glass artists in our region have a support network to help them create art, share their skills, and sell their work.
How about a shared position? The Guild’s Charter restricts officers to no more than 2 consecutive terms. All the current officers are willing to stand for another term. However this means almost everyone in 2024 will be new. One option is to find someone willing to share the vice president’s position and another to share the secretary’s position with the current officers. Sharing a position allows for training for that member, lightens the work load and strengthens the guild. These assistants may choose to run for an elected position in 2024.
